The peregrine king
The Egyptians referred to Ra as “the Word”:
I am the Eternal, I am Ra
I am that which created the Word
I am the Word.
This passage comes from the Book of the Dead which is the oldest text in the world. Thousands of years later, this verse would reappear in the King James Bible:
In the beginning was the Word,
and the Word was with God,
and the Word was God.
Ra is the primeval mantra of creation, a masculine chord that can be used in meditation. This yellow, tetrahedral energy from the solar plexus can purify us from within and activate our highest self. When we do this, we can begin to manifest our dreams. As the divine masculine, Ra embodies a shape that is not a circle but still uses π. This is the Reuleaux triangle (at centre below) otherwise known as the face of the Sphinx.
As the son of Isis, Ra was the king of all the other deities. Ra was so powerful that some have argued that the entire Egyptian religion was some form of veiled monotheism. This seems to be an overstatement, but it underlines Ra’s primary position within the religious texts as a facsimile of Atum. Below there is one serpent emerging from the vernal sun, symbolising rebirth:
Above: hemispheric syncronisation
We all know that musical instruments need to be tuned from time to time. Basically anything that causes a dimensional change in the vibrating elements that generate sound can cause instruments to gain or lose tension. One such cause is humidity, which makes wood expand and contract. Temperature is another. Physical wear and tear to instruments can also cause them to sound “off”.
What we’re less familiar with is that the human psyche is also a musical instrument that needs to be tuned. The way to do this is with a tuning fork—this is held in the middle by the right hand (above) which is the part that doesn’t vibrate. When struck with the ankh, both instruments vibrate infrasonically, harmonically balancing the human biofield:
Solfeggio frequencies make up the ancient six-tone scale used in sacred music, including the beautiful Gregorian chants. The original Solfeggio scale was developed by a Benedictine monk called Guido d’Arezzo. It was used by singers to learn chants and songs more easily. The original scale was six notes assigned to Ut-Re-Mi-Fa-Sol-La.
Today we know the Solfeggio scale as seven ascending notes assigned to the syllables Do-Re-Mi-Fa-So-La-Ti. These mantras and their healing tones were believed to impart spiritual blessings if they were sung in harmony. Each Solfeggio tone is comprised of a frequency required to keep your psyche, spirit and soul in harmony.
This was the harmony that the was and ankh were designed to stimulate in the human body. In the list above, you will notice that the root, heart and crown chakras vibrate at 369, 639 and 963 Hz respectively. These are the sacred thirds of the Holy Trinity—the passion, the power and the presence.
So if we want to bring harmony back to our lives, we need to replace the dissonant western scale with the subtle intervallic relationships of Solfeggio music. Nikola Tesla, the father of electromagnetic engineering once said:
If you only knew the magnificence of the 3, 6 and 9,
Then you would hold a key to the universe.